Images
play significant roles not only in human psychology but also in Catholic
theology, as well as in many religious traditions, including Buddhism.
Today is
the feast day of the Ascension of the Lord. This is the second glorious mystery
in the Rosary, following the Resurrection of the Lord, preceding the Descent of
the Holy Spirit (Pentecost).
Because
religions are based on memories passed on throughout generations, it is about reminiscence
(anamnesis/ ἀνάμνησις) of early
religious and mystical experiences. So, on this feast day of the Ascension, we
remember how Jesus ascended into heaven, as we always say in the Nicene Creed,
through Luke 24:50-53 and Acts 1:1-11, which is the first reading for the Ascension
Mass, regardless of the liturgical year.
In Acts
1:1-11, there is this image of the risen Jesus, being taken up into heaven, the
whole body, immediately after giving his last instruction to the disciples and
assuring them of the coming of the Holy Spirit upon them.
Images
often brings another images for associations.
It is to make sense and to discern meaning out of images in religious or
theological concepts, such as what Luke 1:1-11 describes about the Ascension.
What an
image of the Ascension from Luke 1:1-11 triggers out of my own personal
memories is an image of the black smoke billowing out of a crematorium in my
grandmother’s town in my childhood. And, the memory of my grandmother
explaining to me that the smoke coming out of the crematorium’s tall smokestack
means the spirit of the deceased person is rising into heaven, just as the
smoke was rising.
Whenever I imagine Jesus’s whole risen body being taken up
into heaven, this image of the crematorium’s billowing black smoke comes back
to the surface of my consciousness from my memory storage in the subconscious
domain.
I
remember that day as if it were yesterday, when I asked my grandmother what the
black smoke coming out of the tall smokestack next to a small building at the
far corner of the cemetery. It was back in the 1970s, when we used to have
crematoriums with tall smokestacks in Japan – though most crematoriums in Japan
are “smokeless”: no tall smokestacks and no smokes. This change is mainly due to environmental concerns,
as many people in recent years have found tall smokestacks of crematoriums and
smokes are eyesores, besides environmental concerns about the smoke.
But, back
in the 1970s, black smokes from tall smokestacks of crematoriums were common
memories of attending funerals, as a funeral process in Japan continues all the
way until picking up white dry bones in crematorium and placing the cremated
remains at home upon returning from the crematorium. Usually, during the first seven days of
intense prayers, the cremated remains in the urn are placed at the mourners’
home.
As it
says, the cremated remains are remains – just dry bone fragments. It has no
spirit, as the spirit was released from the flesh of the corpse through the
fire of cremation. Thus, the smokes from crematorium’s smokestacks were believed to be the spirits of the
deceased being released and rising into heaven, as my grandmother said to me.
Jesus
did not ascend into heaven as smokes. He was not taken into heaven in smokes.
He was not dead when his whole body was taken into heaven. He was alive, when
he rose into heaven out of the sight of his disciples on the Mount of Olives,
between Bethany and Jerusalem.
But,
because I did not personally witnessed this event together with the disciples
on the Mount of Olives in the Holy Land, about 2,000 years ago, while relying
on the anamnesis passed on through the scripture narratives, such as Acts 1-11,
I can only relate to this significant event with my personal relevant
experiences, such as my memory of the rising smoke out of the crematorium and
my grandmother explaining it as the spirit of the deceased rising into heaven.
Once
again, I am reminded how personal life experience can affect the way we
understand religious truth and how we appreciate images in religions and religious
experiences. Not to mention, as our life is affected by culture, there are some
cultural bearings to the way we make sense out of religious concepts and
truths, including the Ascension of the Lord. In my case, it is my visual memory
of the rising smoke out of the crematorium’s smokestack.
My
grandmother’s explanation of the smoke as the rising spirit plays a very
important role for me to associate the visual memory of the smoke out of the
crematorium’s smokestack to the Ascension of the Lord.
When we
die, it is our bodies – flesh – that die and disappear. The essence of life, the spirit, is released
from the bodies that no longer function. When our bodies stopped working, then,
the spirit no longer need to be with the flesh. So, the spirit is totally free –
as free as the air that fills the sky. And, it also becomes winds that blows.
So, now,
the song, “I am a Thousand Winds” comes nicely in connecting my memory of the
rising smoke from the crematorium’s tall smokestack and the feast of the
Ascension of the Lord.
Don't stand at my grave and weep
I am not there, I do not sleep
I am the sunlight on the ripened grain
I am the gentle autumn rain
I am a thousand winds
I am a thousand winds that blow
I am the diamond glint on snow
I am a thousand winds that blow
Don't stand at my grave and cry
I am not there, I did not die
I am the swift rush of birds in flight
Soft stars that shine at night
I am a thousand winds
I am a thousand winds that blow
I am the diamond glint on snow
I am a thousand winds that blow
Don't stand at my grave and weep
I am not there, I do not sleep
I am the sunlight on the ripened grain
I am the gentle autumn rain
I am a thousand winds
I am a thousand winds that blow
I am the diamond glint on snow
I am a thousand winds that blow
I am the diamond glint on snow
I am a thousand winds that blow
Don't stand at my grave and weep
I am not there, I do not sleep
I am the sunlight on the ripened grain
I am the gentle autumn rain
I am a thousand winds
I am a thousand winds that blow
I am the diamond glint on snow
I am a thousand winds that blow
Don't stand at my grave and cry
I am not there, I did not die
I am the swift rush of birds in flight
Soft stars that shine at night
I am a thousand winds
I am a thousand winds that blow
I am the diamond glint on snow
I am a thousand winds that blow
Don't stand at my grave and weep
I am not there, I do not sleep
I am the sunlight on the ripened grain
I am the gentle autumn rain
I am a thousand winds
I am a thousand winds that blow
I am the diamond glint on snow
I am a thousand winds that blow
I am the diamond glint on snow
I am a thousand winds that blow
Though our remains,
though they may become cremated remains or even completely integrated into the earth,
will not be raised until Parousia, the spirits of the deceased continue to be around
us, just as winds, which are movements of the air.
As the rising smokes
from the crematorium’s smokestacks are becoming part of the air in the sky, we
know that the spirits of the deceased as alive and well, as free as the air in
the sky. And, they remind us that they are always with us, just as we cannot
live without the air, as blowing winds.
The above song is
based on Mary Frye’s 1932 poem, “Do Not Stand at My Grave and Weep”.
Do not stand at my
grave and weep
I am not there. I do
not sleep.
I am a thousand winds
that blow.
I am the diamond
glints on the snow.
I am the sunlight on
ripened grain.
I am the gentle autumn
rain.
When you awaken in the
morning’s hush
I am the swift
uplifting rush
Of quiet birds in
circled flight.
I am the soft stars
that shine at night.
Do not stand at my
grave and cry;
I am not there. I did
not die.
Let us remember those
who have gone before us and now with us in the air we feel through winds and we
breathe to sustain life on earth, as we remember the Ascension of the risen
Lord.
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